Goats, Blogs and Chinese Travels

It has been very busy recently, with moving house back home in the UK, and then — only a few days later — relocating to China for a year. I’m here in China to take up an associate professorship at Sichuan University, in the College of Literature and Journalism. About which more below.

But first, I should say something about goats! Because I’m delighted to say that my author copies of Goat Music, my latest novel, arrived today in the UK. They are four thousand or so miles away, and so I haven’t really had much of a chance to look at them yet. But from the photograph below, courtesy of Elee Kirk, they are looking good.


Goat Music is a bit of a departure from my usual work. It is an attempt to write a kind of modern-day satyr play, taking up the myth of Apollo and the satyr Marsyas, as well as pillaging the ancient Greek playwrights, to weave a tale about music, power and its abuses. In this sense, it forms a pair with my earlier book, The Descent of the Lyre, although the sensibility is somewhat different. In the UK, you can get hold of a copy here. It’s on general release, so should be easy to track down. I’d be interested to see what people make of this one, as it’s by any measure quite a curious book.
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The Goats Have Been Released

I’m very pleased to announce that my novel Goat Music has just been published. It is a reinvention of the tale of Apollo and Marsyas, and features fallible gods, singing frogs, musical goats, and at the centre of it all, an irrepressible satyr. It has been very kindly blurbed by the wonderful Jonathan Taylor, who says the book is ‘playful and shocking, disturbing and brilliant.’

You can get the novel at the usual outlets, and if you are in the UK, from hive.co.uk.

Not At All Strange

If I’ve been relatively quiet over the past week or so, the main reason for this is that I’ve had my head down, seated here at my desk in Albi, France, and I’ve been editing like crazy, working on what I hope is the penultimate draft of my novel Goat Music. I’m here for two weeks, and so I’m more or less half way through; and it’s been a productive stay so far—I’m on track, I think, to have the draft done by the time I catch the train home next Saturday, which means that I can get an early copy to my publisher some time soon after.

I thought I’d say a bit more about the book here. The novel arose out of a fascination with the story of the musical contest between Apollo and Marsyas that began back when I was an art student. Set in mythological Greece, it plays on the story of the satyr’s competition with the god. The myth, in brief, goes like this: Marsyas challenges Apollo to a contest in music; Apollo wins by means of tactics that are not entirely fair; and then, having won, he flays the satyr alive for his presumption in challenging the gods.

My unease with this story lies in the fact that, for much of European history—although Apollo wins the contest by what could be called unfair means, and then exacts the most horrible punishment by flaying satyr alive—the tendency amongst commentators has been to side with Apollo, to see Marsyas as a fool who was justly defeated, and to proclaim Apollo’s brutality as a victory for all that is good. Read more

Wrestling Goats in Albi

I’m writing this from Toulouse railway station, where I’m awaiting the train to Albi. I caught the train to Paris yesterday evening, and then the overnight train down here to Toulouse. I’m here in France to spend a couple of weeks working on the final draft of my next novel, Goat Music. It has been a long time in the works, this book, and so it’s good to have the chance to spend time wrestling the draft into shape. Read more


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