A note on conversation

One good thing about France is the bookshops. Proper bookshops, filled with proper books — books that are about stuff, shelves of philosophy and science and all kinds of other things (there are reasons that French bookshops are good and British bookshops not so good, but I won’t go into these at the moment). So I made use of last week’s holiday in France to indulge in a buying frenzy — paperback editions are also reasonably priced — and to get hold of a number of books about philosophy, Chinese studies and so on. It’s good to be giving my French a work-out, and I like the style of French sinology, which tends to be more speculative than Anglo-American traditions.

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Chinese and Bagpipe Music

As many who know me will be aware, I’ve spent a good deal of the last three or four years trying to make some inroads into the Chinese language. This is, in part, related to my various research interests, and in part related to the book I’ve been working on exploring the Yijing, or Chinese Book of Changes, as a kind of Calvino-style literature machine. And although progress has been perhaps a little slow, Chinese being—as China scholar David Moser once famously pointed out—damn hard, I’m fairly happy overall with how it has all been going. I’m terribly rusty on conversation, to be sure—living here in the UK, I don’t have as much practice as I would like—and my reading ability goes up and down, but I can pick my way through academic articles in Chinese, at least on a good day, or if I do it in the morning when my mind is fresh; and I’m finding the experience of getting to grips with Chinese immensely fruitful. And, more to the point, fun. Read more

Lightness, and Editing for Pleasure

I probably shouldn’t be writing this, as I have a deadline on the philosophy book manuscript, which needs to be sent off by the end of the month; but there’s time for a quick post on the subject of writing and pleasure.

The philosophy book I’m working on has been through more drafts than I can possibly count; and it is good to see it close to completion. In terms of editing, I am now in the final edit, which I consider to be a kind of ‘editing for pleasure’. Editing, I think, is always a process of editing for something or other: editing for consistency, for factual accuracy, for coherence or argument, for sentence construction and so on. This is one reason that for me at least, things need multiple edits, because each time you are looking for something different. Read more


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