Goats, Blogs and Chinese Travels

It has been very busy recently, with moving house back home in the UK, and then — only a few days later — relocating to China for a year. I’m here in China to take up an associate professorship at Sichuan University, in the College of Literature and Journalism. About which more below.

But first, I should say something about goats! Because I’m delighted to say that my author copies of Goat Music, my latest novel, arrived today in the UK. They are four thousand or so miles away, and so I haven’t really had much of a chance to look at them yet. But from the photograph below, courtesy of Elee Kirk, they are looking good.

goat_music

Goat Music is a bit of a departure from my usual work. It is an attempt to write a kind of modern-day satyr play, taking up the myth of Apollo and the satyr Marsyas, as well as pillaging the ancient Greek playwrights, to weave a tale about music, power and its abuses. In this sense, it forms a pair with my earlier book, The Descent of the Lyre, although the sensibility is somewhat different. In the UK, you can get hold of a copy here. It’s on general release, so should be easy to track down. I’d be interested to see what people make of this one, as it’s by any measure quite a curious book.
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The Goats Have Been Released

I’m very pleased to announce that my novel Goat Music has just been published. It is a reinvention of the tale of Apollo and Marsyas, and features fallible gods, singing frogs, musical goats, and at the centre of it all, an irrepressible satyr. It has been very kindly blurbed by the wonderful Jonathan Taylor, who says the book is ‘playful and shocking, disturbing and brilliant.’

You can get the novel at the usual outlets, and if you are in the UK, from hive.co.uk.

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